FOREVER: CHANGED

16 July – 16 October 2022

FABIO LATTANZI ANTINORI | RON ARAD | SARAH HARDACRE | MARK JENKINS

HAYDEN KAYS | MISHA MILOVANOVICH | KENNY SCHACHTER | MARK TITCHNER

GAVIN TURK | TIM NOBLE & SUE WEBSTER

Curated by Stuart Semple

“What haunts the digital cul-de-sacs of the twenty-first century is not so much the past

as all the lost futures that the twentieth century taught us to anticipate.”

Mark Fisher 

FOREVER CHANGED takes its title from a Lou Reed and John Cale song about their friend and mentor, Andy Warhol’s death. The song implies that after Warhol our world has been irreversibly changed. The big idea is that rather than having a critical distance from the subject, in the case of many post-war artists this was culture itself, today’s artists are living inside it. It’s as if we all find ourselves living in one big Warhol. 

Through the works of several major contemporary artists, we gain an important perspective on this difficult moment in which the future we believed in was slowly cancelled. 

This future is divorced from a past nostalgia that failed to predict where we would end up. A moment of ultra-hybridity, sees artists re-purposing existing materials, images, words, and technologies. Authorship is eroded and challenged as they appropriate the historical backstory of their own works. These cliched tropes become humorous, potent, and at moments insightful.

Once sensational or exciting, well-known motifs from the image world become banal and impotent, as capitalism gobbles up the radical and returns it as harmless. 

Now artists themselves are celebrities, and through new technologies, everyone is an artist. They adopt one another’s style, inhabit each other’s identities and one artist’s words flow from another’s mouth. The quest for the new is shunned as futile as art itself becomes immediately metabolized by the dominant culture.

Modernity’s terminal line looks back at fossilised pop culture. Its problems and failings become a rich palette of collage materials that tell us where we went wrong, how we got here, and yearn for the arrival of a concept that does not yet exist. 

Stuart Semple, 2022  

with thanks and inspiration from Luke Jackson, whose text to accompany the exhibition is available on request